Careening about the net today, I found these images. Thought you all might find them as funny as I do...
This one demonstrates perfectly the two hipsters as defined in my Pitchfork Fest write-up: the hipster-by-design vs. the "real" hipster. The fellow on the left evokes a Jack White/Conor Oberst amalgamation. On the right, Sam Beam goes canyoneering.
This one is just funny. Though, to the Decemberists credit, they didn't put out an album this year (or DID they?). There's only one problem with this one. Does this guy look like a hipster to any of you? Maybe he's going for a Frank Black thing... or Black Francis.... or whatever.
Happy Friday, everyone!
Friday, November 30, 2007
Hipsters Unite!
Staff List!
Femme Fatale created a monster. Her idea to do a Top 10 Albums of 2006 post was such a hit, we've decided to do a few more Best of Lists before we hunker down and make one for 2007. Which brings us to, drumroll please...
Our Favorite Albums of 2005!
Thursday, November 29, 2007
An Upstage Battle
Ever been to a concert where the opening act totally mopped the floor with the headliner? If you've been to enough concerts, chances are pretty good that you caught an up and coming band obligated to a supporting role before Pitchfork gave their album an 8.7. Or maybe the headliners were sick, worried about taxes, or too fucked up to perform. Or maybe, just maybe, the opening band was just a better band, plain and simple.
I guess you could say I've been thinking about this very topic since the Range Life staff witnessed an upstaging with our very eyes on Monday night (refer to the previous post for details). But just in case you were wondering, here are a a couple of others that I have seen. Feel free to share your own experiences in our comments section.
Headlining Artist: Beck
Opening/Upstaging Artist: The Flaming Lips
Five years ago, Beck toured across the country with the Flaming Lips, stopping in Lawrence, Kansas for a night. Now, I know that long-time Flaming Lips fans will see this and think, "Why did they ever open for Beck? Should it have been the other way around?" Yeah, probably. But you have to remember, the name Beck sells more tickets, or at least it did in 2002. I know, I know, the Flaming Lips have solidified themselves into the psyche of many Americans thanks to their live shows, but its not like everyone just woke up one day and knew the Flaming Lips were a fucking blast to see live. Many of us had to catch them opening for other bands. Then we had to tell our friends.
The Flaming Lips' live show was pretty much the same as it is now, minus Wayne in his bubble and no UFO. The costumed dancers were there, confetti and balloons were in the air (see above picture), and a giant video screen played clips of kickass Japanese women - yeah yeah! The Lawrence show was on the second leg of the tour, and by most accounts - even Beck's own admission that night - Beck's shows (which featured the Flaming Lips as his backing band, no less) became rowdier and more fun, which tells me he knew deep down that he had to compete with them, if only for the sake of his audience. Early stops on the tour saw Beck playing more off Mutations to fit with the Sea Change mood. That all ended way before they made it to Lawrence. To be fair, Beck's set was pretty awesome, just not as awesome as the Flaming Lips.
Headlining Artist: BRMC
Opening/Upstaging Artist: The Rapture
About six months before my old roommate and I drove to Columbia, Missouri to catch this show, the Rapture played Lawrence opening for the Shins. By all accounts, the Rapture owned the Shins that night. Most people I talked to started to hate on the Shins after that. I wasn't there, so I cannot say for sure whether or not the Shins sucked that night. Instead, I took it as a sign that the Rapture were just fucking amazing live. I was not too far off.
In concert, the Rapture were less glamorous than I imagined. Their music, too, was also a little less glamorous, and a little more raw. But I liked that. The show was at the Blue Note, a venue that's a little grimy, so the dirtier sound fit the aesthetic. Despite not sounding as pristine, the band hit every right note. Their excitement and enthusiasm carried over into the crowd, who danced along to every beat. When Luke Jenner invited people on stage, I jumped (quite literally) at the chance, pulling up other young college age kids along with me. After the song, and back on the floor, things only escalated from there. I danced with everyone. Men, women, it didn't matter. I was too far gone, floating in a constant heaven with hundreds of my new best friends.
BRMC took the stage and played a few new acoustic numbers, not a good way to start if you're trying to keep an audience full of young, horny twenty-somethings entertained. I watched their whole set, and they were alright, but I don't think I've listened to them since.
Wednesday, November 28, 2007
Live Review:
The Besnard Lakes,
Peter Bjorn & John
For some reason I've had a bad attitude about Peter Bjorn and John lately. First there was that post I wrote titled, "Is that PB&J Getting a Little Stale?" Then I shafted Writer's Block from my Best of 2006 list. Then I started telling everyone that I might not be going to the Monday show if Besnard Lakes weren't opening. Well, the Besnard Lakes DID open, and I DID go. When PB&J opened with "Let's Call It Off," my favorite track off Writer's Block, I thought, this isn't so bad. I can stick this out. Imagine my surprise when, minutes later, everyone else in my group wanted to leave.
It's been a long time since I've left a show before its conclusion. Frankly I can't even think of the last time I've failed to stay for an encore, as I typically spurn those who do (or come into shows with a negative attitude). So why was PB&J such a turnoff?
I puzzled over this on the way home, and hubby Backdrifter said it made sense. Why should three guys preening onstage impress us after the five-piece Besnard Lakes wowed us? The final straw was when PB&J played a version of "Amsterdam" that made the Netherlands sound about as interesting as my hometown of Wichita, Kansas. You know that part when they say, "So slow, so slow"? Exactly my sentiments. The band sounded like my tape recorder in .25 playback mode.
So that's the bad news. The good news? The Besnard Lakes more than made up for my miserable time. After their set the band said PB&J was "helping them out" by taking them on tour and boosting their visibility. Oh, Besnard Lakes, you underestimate yourselves.
Check out our video of "Because Tonight," my favorite track on the album -- perhaps my favorite song of the year. We here at Range Life are determined to make The Besnard Lakes a dark horse no more.
Don't Tell Anyone You Don't Own:
The Flaming Lips - Zaireeka
When our friends get together, every once in a while someone will say, "Anyone want to do Zaireeka tonight?" and we'll get that gleam in our eyes. Most of the time we'll laugh it off, recognizing that listening to the album is an event, a challenge, not something you throw together on a whim. Yet in the back of our minds, we're all planning our next foray into the four-disc mind fuck that could only come from Wayne Coyne and Company.
How can listening to an album be a challenge, you ask? For the uninitiated, allow me to explain. Zaireeka was recorded onto four separate discs, each isolating a particular sound element, be it guitar, drums, vocals, static, the sounds of rabid dogs, etc. This means all four discs must be played simultaneously to achieve the full effect. This also means, from a practicality standpoint, you must acquire the following four items (Remember, four is the key number here):
1. Four Zaireeka discs (one album).
2. Four CD players (or other music-playing devices).
3. Four devoted friends with fingers poised on the Play/Stop/Pause
buttons.4. Four pounds of patience.
Note: Synching the four discs is nearly impossible, as every CD player requires a different amount of time between hitting "Play" and the song starting. This means 1.) Each listen is different, and 2.) As amazing as Zaireeka is, I still don't know it backward and forward. This also means that even a decade after the album's release, there is always something new to discover, always some unexplored combination of sounds. (Happy 10th Birthday, Zaireeka.)
Once you have assembled the four items (and mind altering substances - optional), you are ready to fly. Go. Do it now. Move around the room while you are listening. Take turns making each disc the focus of your attention. Wallow on the floor during "Driving to Work in the Year 2025 (You're Invisible Now)." Writhe and watch your brain explode during "A Machine in India." Thank me later.
Now, then -- who's up for Zaireeka sometime soon?
Tuesday, November 27, 2007
Music Video:
Minus Story - Stitch Me Up
One of my favorite area bands, Minus Story, just had their latest video for the song "Stitch Me Up" (from this year's slept on My Iron Truss LP) posted on Pitchfork's Forkcast. Good for them, if any local band could use some national exposure, its Minus Story. Here's the video:
Okay, so the video isn't exactly stellar, but the song is good, very good.
Range Life Loves The Besnard Lakes
Last night at KC's Madrid Theatre The Besnard Lakes demonstrated not only their prowess on stage, but in dealing with the little people, too. The band hung out post-show to chat and sell/sign records -- oh, and, to pose for pictures with dorks like us.
Hang tight, cause we've got a live review and pics on the way, including a video of the phenomenal "Because Tonight."
Did we mention Are the Dark Horse is one of the best albums of the year?
Monday, November 26, 2007
PETER BJORN & JOHN
The Peter Bjorn & John show was lovely (that is before they started playing....). The drunkard in front of us didn't make it any better... Besnard Lakes = LOVELY
In all honesty I was looking forward to seeing both bands. Besnard Lakes were a guaranteed good time and I thought PB&J would be the same. Sadly, I was mistaken. The PB&J show was, well, boring. You can see from the pictures below that I was very happy and excited pre-show. Post-show, I was not so happy and excited. The pictures truly explain it all.
Pre-show
Post-show
Just in case you were wondering I did eat a PB&J for dinner.
Interview:
Annuals
Last week Femme Fatale and I had the opportunity to sit down and have a beer with Adam Baker and Mike Robinson of the North Carolina band, Annuals. On this night, the last of the band's tour with Manchester Orchestra, we talked about apple pie, Arcade Fire comparisons, and Absinthe, among other things. Despite the fact that our chat occurred only two days before Thanksgiving, and that Adam looked a bit ready to make it back home to see his loved ones (he did officially end the interview by saying, "I have to go write a letter to my girlfriend."), the two young men were extremely engaging and talkative.
Range Life: Today's your last show of the tour, right?
Adam Baker: Yeah, so sad.
Mike Robinson: Not looking forward to going home.
RL: Do you like being on the road?
AB:I’d rather be on the road than at home.
RL: You guys have been compared to all kinds of different bands and I’m wondering if that’s just because your sound is so unique that they’re having trouble approximating it. I was also wondering if there were a few bands you’ve seen yourself compared to where you think, “What?”
AB: There’s been a couple, not to name any names. I’d like to think its because we have unique music and its hard to compare it to anything, but its relatively the same.
MR: Most of the time we get compared to somebody, its always pretty much a good thing. That’s how you connect other bands. Its like,“what do they sound like?” and name some other band.
Live Pics:
Le Castle Vania
Atlanta's very own Le Castle Vania made a Thanksgiving week trek through the Midwest, including a stop in Springfield, Missouri, where our good buddy Joshwa caught his DJ set. Of the show, Joshwa said: "guy doesn't know how to play springfield. we're a fickle fucking bunch."
Don't hate the player, Joshwa, hate the game.
Joshwa also shot a quick, unrelated video out in the parking lot after the show. It looks like a new extreme sport. I think they're calling it The Sport Where You Slide Across the Hood of Someone's Car Before the Car's Rightful Owner Catches You. We at the Range Life office are intrigued by this new sport that's sweeping the Midwest, but hope someone comes up with a better name for it.
Featured Concert:
Peter Bjorn & John
w/ The Besnard Lakes
If you haven't heard the infectious diddy "Young Folks" by now, you best claw your way out of that cave and head to the Madrid Theatre tonight. "Objects of my affection" Peter Bjorn and John will give you "the chills" as they throw you "up against the wall" until you "start to melt." In Paris 2004, you poor cow.... all right, I've got nothing.
If effervescent pop isn't your thing, how about some ambient rock? The Besnard Lakes are opening, which for this listener is the real clincher. If you like songs that swell and simmer and inch themselves inside you, check these guys out.
Two great bands, one fantastic venue -- we'll see you tonight.
Check out all upcoming shows here.
Wednesday, November 21, 2007
Live Review:
Annuals
The Bottleneck - 11/20/07 - Lawrence, Kansas
Despite a low pre-Thanksgiving turnout, Annuals played the Bottleneck like it was packed by a sold out crowd. Lawrence was their final show of the tour, and the band emerged tired but ready for one last night of revelry.
Within seconds of opener “Complete or Completing” Annuals sprang to life. They followed up with “Nah Kaseyi,” a Be He Me discard that, for a B-side, testifies to the band's talent. Frontman Adam Baker showed off not only his vocal range but his drumming chops on “Fair” and “Ease My Mind,” the only song in the band’s repertoire written and sung by guitarist Kenny Florence.
Before the show we asked the band if they would play the anthemic “Brother,” and drummer
Nick Radford promised it would “blow [our] minds.” He didn’t lie. The song translated amazingly into a live setting. I felt chills as the Grizzly-Bear-esque ambience of the opening segued into the song’s commanding conclusion, and longed to dance like a wild beast despite this oh-so-mild crowd. Manchester Orchestra’s Andy Hull joined the band onstage, a fitting contribution considering MO covered “Brother” on the bands’ split 7” (have a listen here.) Baker’s onstage enthusiasm brought even more life to one of the best songs of 2006, and his bandmates proved they were no slackers in the talent department.As we speak the band is journeying back home to North Carolina, where they’ll rest and record Be He Me’s follow up. Here’s hoping that when they tour for that album, Kansas can give them the turnout they deserve.
Stay tuned for our pre-show interview with the band.
Annuals play “Fair” at the Bottleneck in Lawrence, Kansas:
Live Review:
of Montreal
..................Liberty Hall - 11/20/07 - Lawrence, Kansas
Review by SonicRyan.....Photos by Femme Fatale.....Mind-Blowing Show by Of Montreal
"Dude, is there a reason why your elbows are in my face?" I asked the oaf that stood slightly behind me in between songs. Minutes earlier, the asshole "fan" was purposely jumping around on people's toes and jumping into unsuspecting concertgoers as if trying to incite a mosh pit (At an of Montreal show? Really? Douche.). He then proceeded to clap with his arms raised, elbows on my cheeks, preparing to hit me with a cheap shot elbow when the next song began. I maneuvered my head out of the way, only to find him re-positioning his arm, elbow again conveniently placed against my face.
"What, I can't hear you, bro," he replied.
Frustrated that I was not only dealing with an asshole, but an asshole that was hard of hearing, I raised my voice. "I just asked you IF THERE WAS A REASON WHY YOUR ELBOWS WERE IN MY FACE!"
"What, I can't hear you, bro," he replied again. I would say he was playing dumb, but I suspect that any person who looks to mosh with teenage girls and skinny indie rockers at an of Montreal show already lacks intelligence. I braced myself for the upcoming onslaught, the inevitable mosh-pit this idiot was itching to start. It never came.
That was how my experience at last Sunday's of Montreal show started. Luckily for me, things got better quickly. The drunk douchebag left soon after. Maybe his friends calmed him down, or told him to take a hike. Maybe he realized on his
own that he needed to cool off. Maybe he went for more beer, and wound up realizing he'd have more fun listening to Van Halen in his '85 Chevy. Who cares? Without him, the entire left side of the floor could finally enjoy themselves.
Of Montreal concerts are always evolving. In the Spring of '04, of Montreal played the Jackpot before it had a stage, to a crowd of about 25. There were costume changes, sword fights with feathers, and other random moments of well planned insanity, but mostly the charming guitar pop took center stage. These days, however, you cannot hear about of Montreal without first and foremost hearing about their stage antics. This post would probably be no different, except there really weren't any antics to speak of. Sure, Kevin changed outfits once, and some guys - one wearing a tiger mask, the other carrying a tiger painting - would occasionally roam the stage, but that's about it. The stage set-up, however, is more elaborate than ever, with the members positioned on various platforms that wrap around the stage. This allows for little interaction among the band, perhaps the only negative thing I can say about their performance, but as a viewer it made it much easier to focus on the (gasp!) music.
"Dude, is there a reason why your elbows are in my face?" I asked the oaf that stood slightly behind me in between songs. Minutes earlier, the asshole "fan" was purposely jumping around on people's toes and jumping into unsuspecting concertgoers as if trying to incite a mosh pit (At an of Montreal show? Really? Douche.). He then proceeded to clap with his arms raised, elbows on my cheeks, preparing to hit me with a cheap shot elbow when the next song began. I maneuvered my head out of the way, only to find him re-positioning his arm, elbow again conveniently placed against my face.
"What, I can't hear you, bro," he replied.
Frustrated that I was not only dealing with an asshole, but an asshole that was hard of hearing, I raised my voice. "I just asked you IF THERE WAS A REASON WHY YOUR ELBOWS WERE IN MY FACE!"
"What, I can't hear you, bro," he replied again. I would say he was playing dumb, but I suspect that any person who looks to mosh with teenage girls and skinny indie rockers at an of Montreal show already lacks intelligence. I braced myself for the upcoming onslaught, the inevitable mosh-pit this idiot was itching to start. It never came.
That was how my experience at last Sunday's of Montreal show started. Luckily for me, things got better quickly. The drunk douchebag left soon after. Maybe his friends calmed him down, or told him to take a hike. Maybe he realized on his
own that he needed to cool off. Maybe he went for more beer, and wound up realizing he'd have more fun listening to Van Halen in his '85 Chevy. Who cares? Without him, the entire left side of the floor could finally enjoy themselves.Of Montreal concerts are always evolving. In the Spring of '04, of Montreal played the Jackpot before it had a stage, to a crowd of about 25. There were costume changes, sword fights with feathers, and other random moments of well planned insanity, but mostly the charming guitar pop took center stage. These days, however, you cannot hear about of Montreal without first and foremost hearing about their stage antics. This post would probably be no different, except there really weren't any antics to speak of. Sure, Kevin changed outfits once, and some guys - one wearing a tiger mask, the other carrying a tiger painting - would occasionally roam the stage, but that's about it. The stage set-up, however, is more elaborate than ever, with the members positioned on various platforms that wrap around the stage. This allows for little interaction among the band, perhaps the only negative thing I can say about their performance, but as a viewer it made it much easier to focus on the (gasp!) music.
Sunday's set was one of the more interesting ones I've witnessed on the Hissing Fauna tour. Seemingly obvious choices were left out ("Faberge Falls for Shuggie," "Disconnect the Dots"), while an old favorite returned ("The Repudiated Immortals"). At least one new song was played, as well as two Prince covers which bookended the main set. The opening cover of "I Would Die 4 U," may not have been the best choice to open the set if they were expecting a dance party, but it did succeed in getting the older portion of the audience to sing along. "Purple Rain," however, was astounding. If of Montreal and 80's era Prince only seem like perfect bedfellows on a kitschy level, then this cover went above and beyond to prove that of Montreal can stand toe to toe with the big boys. The guitar solo especially was to die 4.The rest of the set was more or less a showcase for Hissing Fauna and Sunlandic Twins, as generous amounts of both albums were featured on this night. Luckily for the band, the sound problems that plagued them at the Granada show (and the Pitchfork Music Festival, though every band had sound problems at the festival) were amended. Finally, I could actuall
y hear Kevin's guitar during "Suffer for Fashion," when before it was all vocals, synthesizer, and bass.Sunday's show was the best I have heard of Montreal sound in years, the last time being when they played a show at the Bottleneck towards the end of the Sunlandic tour, which was also before they invested as much time and money into their stage show. Coincidence? I'm not sure. But then again, I always wind up having fun at of Montreal concerts.
Check out Of Montreal playing "Oslo in the Summertime" and "Gronlandic Edit" live in Lawrence. (FemmeFatale says: You try holding the camera steady while "all the party people are dancing for the indie star.")
Little Blurbs:
Kevin Barnes - God of Commercials, Man Parts
Our Of Montreal review is forthcoming, we promise. (Just as soon as this 600-mb video uploads...) In the meantime, some band buzz to spike your senses.
Erroneous Escape Into Advertising
Even after all that flak they've received over that Outback commercial, Of Montreal has returned in a T-Mobile ad. This one not only features the band's music, but the band starring as themselves.
Two YouTubers exemplified my sentiments on the matter: "At least it doesn't rape their music like those outback commercials." And, "I love of montreal too much to hate them for this." I'll add one more thought to the mix. If making these commercials allows the band to put on a show like the one I saw Sunday night, then I can't complain too much. Hey, if Academy-Award winning actress Catherine Zeta Jones could sell her soul to T-Mobile, they must pay the big bucks, right?
Has the band "sold out"? Watch the commercial and decide for yourself:
Kev's Got More than Soul Power
I've talked with Mr. Barnes after two Of Montreal shows now, and both times our conversation has taken a turn toward the scandalous. Sunday night at Lawrence's Replay Lounge, after a brief discussion about his cerulean eyeshadow, I told Kevin (more or less) the following: "You have a great penis. I've seen it online, and it's amazing. A lot of people must tell you that."
"Not really," he said, smiling, maybe even blushing (or was that just blush?). I admit I was surprised by his response. Had Barnes turned bashful? The man who bore all at that Las Vegas show, which by now is as infamous as that Outback commercial?
Does Kevin have anything to be shy about? Check out his man parts and decide for yourself.
Tuesday, November 20, 2007
Good News, Bad News from Deerhunter
One of our favorite bands of the year has had a busy week.
The Bad News: Bradford Cox announced on the band's blog that they were taking a "hiatus" from touring. This is definitely bad news if you have yet to see these guys perform. Incredible. Thankfully, as P4k notes, this "appears to be more of a Patrick Wolf hiatus than a Sleater-Kinney hiatus." Sigh. Why did you have to go and bring up S-K just when the wounds were starting to heal?
The Good News: You may not be able to catch the guys live anytime soon, but you can visit Daytrotter and hear new material from their forthcoming LP, rumored to be titled Microcastles. The session consists of new tracks "Dr. Glass," "Activa," and "Calvary Scars," as well as a gauzy, dialed down version of Crytograms' "Heatherwood." Listen to the session here, and feel all tingly inside.
Monday, November 19, 2007
Live Pics:
Robbers on High Street
Jackpot Saloon - Lawrence, Kansas - 11/16/07
Robbers on High Street hail from Poughkeepsie, New York, which like the beloved college town Lawrence, Kansas, is a noted "tree city" (and was the inspiration for their debut album -- you guessed it -- Tree City.) It's fitting that the guys should swing through our humble town on the last jaunt of their tour. Check out our pre-show interview with the band here.
Below, watch Robbers rockin a pretty sweet cover of the Kink's "Dead End Street" at the Jackpot Saloon. Robbers on High Street visit "Dead End Street": I like the ring of that.
Below, watch Robbers rockin a pretty sweet cover of the Kink's "Dead End Street" at the Jackpot Saloon. Robbers on High Street visit "Dead End Street": I like the ring of that.
Live Review:
Saturday Looks Good to Me
November 16, 2007
The Record Bar
Kansas City, MO
As you may already know, I've been digging the latest SLGtM album, Fill Up the Room, quite a bit as of late. Because of my enthusiasm for the album, I was very excited to see the band this past Friday, so excited that I skipped the Robbers on High Street show in Lawrence (though I did help Nicole interview them, which you can read below), and drove like a maniac back to Kansas City, thinking that if I hurried I would only miss a couple of songs. Amazingly, I made it in time, a few minutes early in fact, but it mattered little in the end. The show wound up being quite a disappointment, leaving me to wonder why I had decided to leave Lawrence in the first place.
The biggest problem with the SLGtM show was the electricity. Fill Up the Room is a wonderful pop/rock record, but in concert the band focused exclusively on the rock, leaving the pop part lost in the thick, sloppy distortion. Surprisingly, not a single acoustic guitar was used. The band is currently touring as a four-piece, so the lack of an acoustic was probably out of necessity, but the drastic change from dusty, afternoon pop/rock to noisy, Pavement meets Dinosaur Jr rock was a bit too jarring for these ears of mine. Some of the bands louder songs sounded decent, "When I Lose My Eyes" definitely stood out as the best sounding of the night, but the gentler "Make a Plan" was nearly incomprehensible with Fred Thomas' overly distorted guitar loops canceling each other out. Sensing that they were fighting a losing battle with an already lethargic crowd (I was one of two people standing out of about 25), Thomas called the show to an end a song early, closing with perhaps their catchiest number, "(Even if You Die on the) Ocean", a song that might have awakened the crowd some had it not been saved for last. But alas, the battle was already lost. The show ended, I drove home listening to Fill Up the Room, their versions sounding even better having just heard them butchered on stage.
Interview:
Robbers on High Street
SonicRyan and I are sitting at La Parilla with Robbers on High Street. I'm beginning to feel like the protagonist of Almost Famous, that dopey kid whose attempts at interviewing fictional rockers Stillwater are forever rebuffed. Midway through dinner I'd already asked the band if they would like to "try my pancake" (you can see it on my plate there!), followed by spoonfeeding sessions and generally pleased receptions (though no one took my suggestion to order the rice bowl).
It wasn't that they were avoiding an interview. It had never been the right time. A few Maker's Marks and Stellas later and the stories were flowing, albeit off the record: Morgan stealing his girlfriend's skinny jeans, Ben stuffing Steve in his locker in 8th grade (it sounds cliché, but there are genuine hard feelings here), proclamations that Robbers were, in fact, "the gayest non-gay band EVER." (At one point later in the evening, Steve was laying his head on Ben's shoulder, and drummer Mikey was playing with Steve's hair. If only I'd been quicker on the draw with the old Panasonic.) As dinner came to a close, Steve asked Ryan and I, "Do you really still need an interview?"
Of course, we all know the canned stuff is important for, you know, posterity. So we set those guys down in the dark basement of the Jackpot Saloon and demanded our interview. What we should have asked them: How's the tour going? Who are your influences? What's it like enduring those constant comparisons to Spoon/the Strokes? What we asked them: What's your favorite pie?
Who came up with the album cover for Grand Animals?
Ben: My girlfriend's pretty crafty. We were going to latchhook a rug that said "Robbers on High Street," but she'd still be making it. So we had this idea to make this really gaudy and ornate photo, so she needle pointed our portraits.
Do you still have them?
Ben: Yeah, they're in my closet.
Does it creep you out having your faces on a pillow like that?
Ben: Well, that's why they're in my closet. I couldn't look at them after a while.
You guys are on James Iha's label Scratchie Records. Are you Smashing Pumpkins fans?
Steve: I actually don't like the Smashing Pumpkins at all.
Ben: I can take them or leave them.
Morgan: I like Gish.
Steve: I just can't take Billy Corgan.
Have you talked to James Iha about Zeitgeist?
Ben: He's definitely salty I'm sure. I don't think he gives a shit.
Since you're from Poughkeepsie, we were wondering if you were fans of the Devendra Banhart song of the same name.
Ben: I think I listened to it on ITunes. It doesn't have anything to do with Poughkeepsie. There is an Evan Dando song about Poughkeepsie, too.
You're nearing the end of your current tour. What are your plans for the break?
Steve: I'm going to have a baby. This is the first interview that I've said that in.
A Range Life exclusive! Do you have a name picked out?
Steve: Benjamina. I had a dream the other night that the baby was born and when I went to look at it, it was a little Ben. No, we're thinking Stella or Sophie.
Stella like the beer? (He'd been drinking Stella Artois earlier.)
Steve: That's how she was conceived.
(Editor's note: During the interview, Blonde Redhead's 23 plays upstairs. Steve reveals that Morgan played French horn on the track "SW." We asked Morgan how he got hooked up with the band.)
Morgan: We shared a practice space, and I just kinda bumped into them. I was just carrying a French horn at the time, and they're like, "You play that?" And I was like, "Yeah, a little bit." So they called me up and said they had some ideas for horns.
With Thanksgiving coming up, we have to ask. What's your favorite pie?
Ben: Strawberry rhubarb.
Steve: It's a toss-up between kiwi lime and boysenberry.
Morgan: "Pies of Passion"... Just listen to Michelangelo.
Stay tuned for live pics/video from the Robbers' Lawrence show.
And the Winner of the Annuals Contest Is...
Ryan Walsh, who just like us, can't wait to hear the line "You crazy old bitch" live in concert.
That's right, Ryan: you and a guest have won a fabulous trip to see the Annuals play esteemed Lawrence venue The Bottleneck. You'll see the sights on Massachusetts Street! Feel the Kansas wind tousle your hair! Ride the pony merry-go-round outside the Antique Mall! Scrawl your name in a bathroom stall!
Thank you, all who entered. Props to weirdest entry courtesy of Dayna Lee, who wanted to attend the show because, "I just think you are hot and want to see you up close." We are hot, Dayna, and we'll see you at the show.
Thank you, all who entered. Props to weirdest entry courtesy of Dayna Lee, who wanted to attend the show because, "I just think you are hot and want to see you up close." We are hot, Dayna, and we'll see you at the show.
Friday, November 16, 2007
Contest:
Win Tickets to the Annuals + Tour-Only 7"
Hey gang, we do have more recent posts below, I just wanted to bump this up so everyone could see it. --SonicRyan 11/15/07
Does the epic "Brother" give you chills? Are you dying to hear the Annuals and co-headliners Manchester Orchestra live? How about on your very own 7"? Well, dear readers, you are in luck. Range Life is giving away two tickets to the 11/20 Lawrence show along with a tour-only 7 " (courtesy of Sneak Attack Media).
Does the epic "Brother" give you chills? Are you dying to hear the Annuals and co-headliners Manchester Orchestra live? How about on your very own 7"? Well, dear readers, you are in luck. Range Life is giving away two tickets to the 11/20 Lawrence show along with a tour-only 7 " (courtesy of Sneak Attack Media).
Contest Rules:
Tell us in 100 words or fewer why you fell in love with the Annuals. We'll pick the winner based on creativity, passion, and above all, grammar. (Just kidding - though you are dealing with an English teacher here.) Email your response here by midnight Saturday, Nov. 17. We'll announce the winner Monday, Nov. 19. Oh, and, we reserve the right to publish the winning entry on our site.
The 7" EP was recorded with tourmates Manchester Orchestra. A sampling:
Also, check out this phenomenal track from the digital-only Frelen Mas EP (a collection of Be He Me b-sides):
Happy writing, and we'll see you all at Tuesday's show!
Thursday, November 15, 2007
Videos of Yesteryear are a Grand Affair!
Please join me in remembering the good ol' days. These days are captured by 1985's splendid blend of animation and live action motion picture. Sure, I hadn't been born yet, but why does that matter? A-Ha is band that can appeal to many, even the unborn. When I was in my mother's womb in India I could hear the faint tune Take On Me as it floated through the amniotic fluid and into my little ears. It's a true story folks. Ladies and Gentlemen I present you with technology at its best! ENJOY.
*I must add that this entry was inspired by last night's Family Guy episode.
A-Ha "Take On Me"
I Just Lost My Breath:
My Bloody Valentine Announce Concerts!
So the shows are in Europe, nowhere near middle America, but still, this is pretty exciting. Maybe those annual rumors of My Bloody Valentine playing Coachella will come true this coming year. Perhaps a North American tour will follow. Maybe Pitchfork and All Tomorrow's Parties can snag them for their music festival to play Loveless in its entirety.
What, I can dream, right?
[mp3] My Bloody Valentine - "I Can See It (But I Can't Feel It)"
From the Isn't Anything LP
Subscribe to:
Posts (Atom)