Review by Ryan Bonacker
Photos/Video by Nicole Pope
I love going to Yo La Tengo shows. Last Saturday's show was my fifth, and it did not disappoint in any way. One of the reasons - hell, maybe the reason - I love seeing this band so much is that even if you know what to expect, you never know exactly what you're going to get.
The show was the final stop on the Freewheeling tour, and even though I expected a mellower, Storytellers- type affair, I was pleasantly surprised by just how varied the show was. With absolutely no keys of any type (organ, electric piano), no bass drum (and Georgia only using brushes, no less) and only one (one!) acoustic guitar to Ira's name, I figured the band had planned a nice acoustic set with spaces to tell stories intermittently throughout the set. I wasn't too far off. There was no real "set" planned out, just a beginning and an end, with songs written down to perform in case the requests weren't creating a spark (which they did, more on that in a moment). In between songs, the band would field questions and requests from the audience, though most of the questions weren't exactly answered. Instead, the band dished out humorous quips and anecdotes on topics ranging from the "Sugarcube" video shoot to talking to Steve Albini on the phone (and not believing it was really him).
But I'll be honest, I didn't go for the Q&A, I went for the music. And as long as I'm being ho
nest, I'll admit that I'm a much bigger fan of Yo La's distorted, shoegaze-y material, at least in the live setting. With that said, I have to say that hearing many of the night's songs stripped down to their barest essentials was quite spellbinding. Whether it was an already low-key number like "Let's Save Tony Orlando's House" or a the fuzzy "Decora," the band proved that they could create a stunning, gorgeous atmosphere with even the most minimal of tricks.
Though I'm sure a handpicked set by the band would have been wonderful, I'm convinced the audience requests are what made the music portion of the show as interesting as it was. Thanks to the audience, we were treated to classic Yo La Tengo ("Sugarcube"), some off the beaten tracks ("Upside-Down" from May I Sing With Me, which I believe marks the first time I've heard them play a song from that album), and many covers (including an excellent take on the Kinks' "Tired of Waiting for You"). The highlight of the night, however, was their rendition of "Blue Line Swinger," another audience request. Clean and stripped down at first, the song could have been performed simply as a gentle lullaby, but instead Ira hit the distortion pedal at just the right time, giving the audience a taste of the song as we know and love it. It was magic, like only a band as creative and talented as them could do. Already I'm looking forward to Yo La Tengo concert number 6, even if I have no idea what's in store.
"Blue Line Swinger"
"Decora""????" "Fog Over Frisco"
Femme Fatale says: Anyone who can tell me what this last song is, automatically earns the title of "Bigger Yo La Tengo Fan Than Me." Get to it!
Monday, January 21, 2008
Live Review:
Yo La Tengo - Springfield, MO - 1/18/08
Wednesday, January 16, 2008
Don't Tell Anyone You Don't Own:
Yo La Tengo - Electr-O-Pura
(Matador, 1995)
"Pablo and Andrea" [mp3]
In honor of Yo La Tengo's upcoming Springfield show, I wanted to commemorate one of the band's best albums. Perhaps this is the "I heard it first, so I like it better" syndrome, but of the nine hundred YLT albums (ok, eleven plus five compilations), Electr-O-Pura has remained my all-time favorite.
When I was in college, it seemed some band called Yellow Tango was coming through Lawrence every other week. Sometimes it takes someone thrusting an album at me and saying, "Here, listen to this." That's what happened, and here I am now, bowing down to the critical darling and fan favorite known as, not Yellow Tango, but Yo La Tengo -- which means, if years of Spanish lessons can hold up here, "I have it." Boy, do they ever.
What's that, you say? You're into Sonic Youth, My Bloody Valentine, The Velvet Underground, Stereolab, etc.? Well, then you simply must get Electr-O-Pura. Let me lavish some love on this album, track-by-track style.
1. "Decora" - MBV anyone? Seriously, Georgia's vocals are... sublime. The track... ethereal. The perfect opener.
2. "Flying Lessons (Hot Chicken #1)" - This is a staple on Nicole mixes. The intensity of this song is simply unmatched, and proves an astonishing follow-up to the breezy opener. If you like ass-kicking dissonant guitar solos that joyously assault your ear drums (and who doesn't?), this song is it.
3. "The Hour Grows Late" - The pace slows again for a dreamy acoustic number. I can remember first hearing this track and thinking, "This guy sounds kinda like Tom Petty." Now I want to slap myself for making such an analogy. When Ira sings, "In this thriftstore corner of the world," I feel all cozy inside.
4. "Tom Courtney" - An amazing pop song, and one of my favorite tracks in the band's catalog. I DARE you not to sing along. I've still yet to hear a faithful live version of the song; fingers crossed for this weekend.
5. "False Ending" - Chaotic and freewheeling, this :56 track gives us a taste of the pandemonium to come on Track 8. That's right, I said pandemonium.
6. "Pablo and Andrea" - One of RL's favorite fights revolves around this song. In drunken sparrings I've argued that one hokey line ruins the song for me, but in truth it would be impossible to mar its beauty. The guitar solo is chillingly, achingly, gut-wrenchingly perfect. If you like mellow MBV, download this track. NOW. I'll make it easy for you.
7. "Paul is Dead" - Another singalong favorite. The harmonies between Ira and Georgia are phenomenal. This track is a bit of a builder, preparing us for its markedly noisier successor.
8. "False Alarm" - I used to hate this song, preferring to stick with the "pretty" tracks. Now I happily dive into the frenzy.
9. "The Ballad of Red Buckets" - Hazy and meandering. When I hear this know I see a prelude to And Then Everything Turned Itself Inside Out or Summer Sun.
10. "Don't Say a Word (Hot Chicken #2)" - The haziness continues with a Georgia-led ballad. Probably my least favorite on the album, though it's not a bad song by any means. Just makes me a little sleepy...
11. "(Straight Down) To the Bitter End" - Wake up! Yes, you, getting a nap in during the last track! It's time to rock!
12. "My Heart's Reflection" - Uh oh, a little more sleepy. Again, not a bad song. In fact, it's quite lovely. I just want us to get to "Blue Line Swinger" already.
13. "Attack on Love" - A crazy primer for the album's phenomenal closer. This one seems like practice for their 1996 cameo as The Velvet Underground in I Shot Andy Warhol.
14. "Blue Line Swinger" - This one has to be at the top of the "I WANT TO HEAR THIS LIVE" wishlist for the RL staff. This track features eight minutes of orgiastic buildup with a caterwauling payoff that, you know, really pays off. Wow.
Writing about classic albums is a lot of pressure. I only hope I've done the album justice. Or at the very least, that someone person reading this will get their hands on this fantastic album. Then you too can say, "Yo la tengo!"
Tuesday, December 4, 2007
Concert Announcement:
Yo La Tengo
One of Range Life Music's favorite bands just announced the second leg of their Freewheeling Yo La Tengo Tour, which concludes in Springfield, Missouri of all places! Ticket information is not yet available, so all we know is the show takes place at the Randy Bacon Gallery on Saturday, January 19th. Hope to see you there!